вторник, 2 ноября 2010 г.

Placebo showered their fans with balloons and glitter at London's O2 Academy Brixton on Monday (27.09.10).

The group performed the first of two shows at the venue in support of their reissued album 'Battle For The Sun' and delighted the packed-out crowd with a career-spanning set, which kicked off with their 1997 single 'Nancy Boy'.

Frontman Brian Molko kept audience interaction to a minimum, speaking rarely between songs, though he did dedicate their cover of Nirvana track 'All Apologies' to late photographer Corinne Day, who died last month aged 48.

After performing lively renditions of hits past and present, including 'Teenage Angst', 'Ashtray Heart', 'Meds' and 'The Bitter End', the group left the stage before returning for a four-song encore.

As smoke machines billowed from the stage, a net of balloons was released into the crowd, before glitter rained down during closing tracks 'Trigger Happy Hands', 'Post Blue', 'Infra-Red' and 'Taste In Men'.

Support for both Monday and last night's (28.09.10) performances came from Little Fish and Evaline.

понедельник, 1 ноября 2010 г.

Placebo Cancel European Tour Dates

British rockers Placebo have been forced to apologize to fans after scrapping the final three dates on their European tour due to illness.

The Teenage Angst stars have been on the road for the past year and were due to perform on the Spanish island of Majorca on Friday. However, the gig was scrapped after frontman Brian Molko fell sick and now the band has pulled this week's shows in Madrid and Lugo in Spain, and another in Portugal.

In a post on their website, Placebo says, "Unfortunately Brian Molko is unwell and has been ordered by doctors to take complete rest. It's a horribly disappointing way to finish our Battle For The Sun tour campaign and we hate letting our fans down by cancelling shows. We always try to ensure we can deliver what we promise so we can only apologize."

Details of the 37 year old's ailments have yet to be released. Placebo is due to jet to South Korea on October 21st to kick off the next leg of their worldwide tour.

http://www.starpulse.com/news/index.php/2010/10/05/placebo_cancel_european_tour_dates_

Placebo Interview By Lim Chee Wah


Placebo Interview
March 2010

Brian Molko of Placebo got all witty on Lim Chee Wah when they spoke prior to the band’s first ever gig in Malaysia
How has your music evolved throughout the years?
Like a fish that crawls out of the water, grows legs and walks.
In your latest album, ‘Battle for the Sun’, you featured some brass and string arrangements, what brought about this change?
Our decision to use brass was inspired by our love of soul, reggae and Beatles’ records. We’ve used strings before; check out ‘Pierrot the Clown’ from [the album] ‘Meds’.
Your previous albums were quite bleak but you described your latest album as having a bit of hope. What brought about the light at the end of the tunnel?
Each new album starts as a reaction to its predecessor, which is the biggest influence of all because it determines exactly what we do not want to do. With that in mind, and with a little distance for perspective’s sake, Stef and I decided that ‘Meds’ was a very claustrophobic and monochrome album that offered hardly any hope to the listener. Thus it seemed logical to make a new album bursting with colour and optimism. Having said that, whether we did so or not remains up for debate.
Do you think pessimism (or heartbreak, or depression) makes you a better artist?
Absolutely not. It does make you a very good drunk, though.
What’s it like having Steve Forrest in the band who is significantly younger than the rest of the two members?
It’s good to have someone gullible in the band to mess with.
The band’s sexuality has become an identity for you – do you think it’s what makes people attracted to you?Did youdecide to be honest of who you are as a statement of empowerment?
Both attraction and repulsion are created by such honesty. Empowerment can only be achieved through the courageous and political act of standing up to be counted.
Is it a driving force in your music?
Yes, especially during the primal act of performance. Sometimes I feel like a stripper, in the sense that I am making myself emotionally nude.
People often see your goth attire/make up as a distinctive characteristic of Placebo.Was that an influence from your music direction?
I wear make-up and have black hair. Why does that make me a goth? Look at Cher – she wears make-up and has black hair, does that make her a goth? 
Show me a picture where I look like a goth and I’ll show you a picture of me and Cher getting it on.
You have played with and opened for many people, including Billy Corgan and Robert Smith. Who do you think has the biggest impact on your career?
David Bowie. He was somewhat of a mentor at the beginning of our career.
There’s been some bad press about how the authorities in Kuala Lumpur reacted (rather negatively) to big international artists who planned to or had performed here, like Beyonce and The Black Eyed Peas. Has that discouraged you from coming here initially?
I am always very happy when The Black Eyed Peas receive bad press. Beyonce, however, is a very significant artist and a true star.
1994 to 2010 is quite a long time for a band; do you think you’ll outlast U2?
I would like to outlast Leonard Cohen. Have you started working on your new album? What will it be like?
It will sound like the first scream of a newborn baby.

 http://www.timeoutkl.com/music/articles/Placebo-Interview

Summertime Rolls feat. Brian Molko

ALBUM: LOSERS ‘BEAUTIFUL LOSERS’
LABEL: GUNG-HO! RECORDINGS
RELEASE DATE: SEPTEMBER 13TH 2010
FORMAT: CD | DIGITAL
________________________________________
“This album is fucking banging” – Liam Howlett – Prodigy
“This is the kind of music we want to make!” – Rob and Gareth - Pendulum
________________________________________
Beautiful Losers album is the result of two men whose paths crossed and together created a wonderful testament to their prodigious musical heritage.
Eddy Temple-Morris is XFM’s legendary trailblazer, DJ, producer, remixer and dance floor provocateur of the highest order. He coined the phrase ‘Ibiza Rocks’, was their first resident and has been largely credited with seducing a generation of rockers to loosen their belts and think with their hips. He is one half of Losers. Tom Bellamy is a keyboard, FX pedal and guitar legend whose chiseled cheekbones and wild techno-noise became an integral part of arguably the most progressive band of the 90’s, The Cooper Temple Clause. Their legendary studio, 'Bleak House', became Tom's domain when Coopers split and this Noughties British indie shrine in rural Berkshire was where Beautiful Losers was created.
If you were cooking this album you would start heating Soulwax Night Versions, Prodigy, Leftfield, Orbital and Mansun. Add the uplifting and melodic ingredients of Robert Miles with the coolness of Kris Menace (Sirenna), the deep and unctuous beats Underworld with a splash of Killing Joke (Three Colours), add the dark and sensual influences of Massive Attack (Azan) and the haunting poignancy of Janes Addiction (Summertime Rolls featuring guest vocalist Brian Molko) and its getting really hot in the kitchen. Finish off with a hint of Grime (Flush) and a slice of disco doom (Katana) and we’re on fire!
Whilst Losers unashamedly doff their caps to the inspirational icons of the nineties dance movement, the influence of today’s most talented producers such as Alex Metric and Adam Freeland are clearly embraced all over the album, not just monumental tracks such as Flush (first single to be released off the album and featuring the sublime work of artist Dan Hillier in the video – over 100,000 views on Youtube) and the gorgeously twisted epic Talk To The Hand. Losers have clearly displayed their mastery of writing and orchestrating an absolute classic, timeless dance album. And one that rocks.
Losers live show features Tom Bellamy on vocals, guitar and keyboard, Eddy on bass and keyboard, and Camilla Morris on drums plus guest vocalists like Riz MC, Envy, Marcus Midimidi and Pablo Decoder. The live show is a full-on electronic, bowel shaking assault so don’t even dream of missing out. See below for details of live dates coming up.
Notes to Editors - This is a nice anecdote that you have permission to publish:
The album features very special guest Brian Molko from Placebo singing on Losers cover of Janes Addiction’s Summertime Rolls’, the instrumental of which Eddy and Tom sent to Brian to consider putting the vocals onto. Within 24 hours of hearing the track Brian called the Losers to threaten them…..” If you let anyone else sing on this track I’ll have them killed!” Thankfully Robert Harvey of The Music, lives on.
*Sirenna (Today We See Colour) is due for release on September 6th on Gung-Ho! Recordings*
Track Listing:
1. Three Colours
2. No Man Is and Island (Losers Theme)
3. Nothing Will Die
4. Flush
5. Never Meant To be
6. Azan
7. Sirenna
8. Katana
9. Talk To The Hand
10. Summertime Rolls
Band Members:
Tom Bellamy - Vocals, guitar and keyboard,
Eddy Temple Morris – Vocals, bass and keyboard
Camilla Morris -Drums

http://soundcloud.com/rightclickmusic/summertime-rolls-feat-brian-molko

Janes Addiction- Summertime Rolls

пятница, 29 октября 2010 г.

Brian Molko Quotes

Being so honest in my writing is cathartic.
Brian Molko

Dresses, I find, are impractical in social situations, but I enjoy wearing them a great deal on stage.
Brian Molko

I believe very strongly that when it comes to desire, when it comes to attraction, that things are never black and white, things are very much shades of grey.
Brian Molko

I feel very comfortable with the way I look, and I feel very comfortable with the kind of confusion that it creates in people's minds.
Brian Molko

I guess the line between being paranoid and being a rock star is smaller than one would expect.
Brian Molko

I love being a freak. It's great!
Brian Molko

I refuse to be held responsible for bringing back a wave of pasty-faced people into the world.
Brian Molko

I'd be interested in finding out if there is a light you walk into, and if you do meet people from your life and walk hand in hand with Jesus. I would hate for my death to be tragic: I'd like to be old when it happens. But hopefully a young death is unlikely.
Brian Molko

I'm tired of being around men all the time. I'm going to start a band called Skirt with three girls and I'll play the guitar and sing backing vocals in drag. I went window shopping when I was in New York, saw a lot of amazing dresses.
Brian Molko

If Placebo was a drug, they would no doubt be pure heroin - dangerous, mysterious and totally addictive.
Brian Molko

Imitation is the highest form of flattery, but clones kind of get it wrong because we are promoting individuality and being proud of being yourself.
Brian Molko

My mouth has a tendency to get me into trouble, but because I'm so small and I take on people who are lager than me. If someone punched me, I'd get my drummer beat them up.
Brian Molko

Placebo is music for outsiders, by outsiders and our gigs are like conventions of outcasts, which is cool.
Brian Molko

So, then you find yourself in a situation where you have to do things because they're on offer to you, because you don't have much self-respect left. You just can't say no, even to something that you've never done before. You just can't help yourself.
Brian Molko

The more you'll dress up the more fun you'll have.
Brian Molko

There's a hell of a lot of freedom in this rock and roll circus... it's where all the freaks go - it's the environment for me.
Brian Molko

We live in a strange bubble.
Brian Molko

пятница, 22 октября 2010 г.

Placebo Tickets for Placebo Tour Dates, Gigs & Concerts

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http://www.stereoboard.com/placebo-tickets.html

четверг, 30 сентября 2010 г.

Placebo Interview By Daniel Robert Epstein


If you've been hearing all the buzz about how amazing the English rock band Placebo is, then now is the time to pick up the re-release of their latest album, Meds. The new edition has three songs not on the original US: "Lazarus," "UNEEDMEMORETHANINEEDU" and a cover of Kate Bush's "Running Up That Hill." I got a chance to talk with Placebo's bass guitarist, Stefan Olsdal.

UGO: What do you think of Meds being re-released and coming out in the United States like this?

Stephan Olsdal: It's part of what happens with bands. We're excited by the fact that things are starting to pick up a bit in the States. We've spent a long time touring and done a lot of albums, so it is starting to bubble a bit.

UGO: Do you think there's any reason that you guys hadn't had as much success in the States as you have overseas?

Stefan: Sometimes there's no real explanation for these things. In some countries, they've just really gone crazy for us and others haven't. I guess the ones who like us have good taste in music [laughs].

UGO: Why are there three songs on the US release that weren't there previously?

Stefan: They came out overseas, but in a different format. They were just B-sides.

UGO: Are there more tracks or will there be any more re-releases with new stuff?

Stefan: I hope not, because we're running out of songs.

UGO: What made you guys want to cover Kate Bush's "Running Up That Hill?"

Stefan: We cover songs that we like. For us it is something that we do for fun in B-side sessions. We've covered a variety of bands, usually from the '80s. We did a Depeche Mode cover and Robert Palmer even. We're fans of Kate Bush so, when it came to this track, we thought that the lyrics had a real depth and you can't really get that in the original because she's singing it so fast. We wanted to slow it down and it felt really good, and we're really proud of it.

UGO: Have you heard whether or not she likes it?

Stefan: Yes we did, actually. We met and she does like it and we're relieved by that fact because we're big fans.

UGO: Are you guys thinking about covering anything else in the future?

Stefan: Yes, probably Bonnie Tyler.

UGO: How's everyone in the band getting along?

Stefan: It's pretty good. We're still here, we're still alive and healthy. It's been ten years and a lot of bands haven't made it this far, and I'm proud of that fact.

UGO: When you guys have discussions or arguments, what kind of stuff is it usually over?

Stefan: Yeah, we're like a family so we're a little bit dysfunctional. There's always little niggles here and there. In a ten-year marriage you know each other so well that some things go unspoken. We solve everything before the morning.

UGO: What was the inspiration for Meds?

Stefan: I think it's a return to rock. When doing a sixth album, you can fall into traps. You can fall into routines and old ways of working and maybe get a little lazy, so we wanted to shake out of that. I think the way to do that was to get the three of us into a room and rely less on computers and to just play and write as a band. I think that really comes through on the album. It's a very performance based record that's more analog with more guitars and is a return to the way we did it on the first and second album.

UGO: What made you want to rely less on computers?

Stefan: Yeah, it's gotten a bit too easy. You can make an album just with a computer. You can just cut up the guitars and you add the loop and there's your song. We experimented with it and took it to Placebo's logical conclusion with working with keyboards and electronics and computer generated sounds and stuff. So we felt that we've done that and now we want to be a rock band again.

UGO: Did that make for a different feel in the studio?

Stefan: Yeah, especially that it took less time to make [laughs]. We spent less time staring at a computer screen and more time playing, so it took almost half the time to make compared to the previous record. Spending nine months in a studio can get pretty tedious. We didn't want to do that so we knocked it out quicker.

UGO: What do you think about bands like My Chemical Romance and Panic! at the Disco saying good things about Placebo?

Stefan: That's cool. I guess things go in circles. When we started out we were heavily influenced by certain bands. But I guess you become part of the musical wallpaper or something, so we've been around for ten years and now bands are saying they've been influenced by us. But it is not something to sit down with and pat our backs over.

UGO: Are you fans of those bands?

Stefan: Yeah, the guys in My Chemical Romance are really nice guys. We met them at a couple of festivals and we've hung out.

UGO: How was it working with Dimitri Tokovoi as producer?

Stefan: Well, he's a good friend. We each thought that it would be easier to work with a friend. It turned out to be harder because he didn't take any shit. He pushed us further than a stranger would. He was a big part in making us get off our bums and becoming a band again.

UGO: Do you guys find it difficult to motivate yourself?

Stefan: We're the same people who have done x amount of work together so there is a certain danger in falling into traps and falling into routine. We wanted someone to come and give us a little kick in the bum.

UGO: Do you guys bring videogames or movies with you when you go on tour?

Stefan: We used to, but we ended up getting repetitive strain injury from playing too much Tekken, so we had to stop that because we had to play. You can't f*** up your hands playing videogames. So not much with the videogames anymore, it's mostly movies.

UGO: What movies do you guys usually bring with you?

Stefan: Pregnant Mamas, Twins-a-Popping...no I'm kidding, We bring all these old film noirs with us and then on our day off we end up watching some trashy action or kung fu film. Something where you don't need any mental capacity to watch. I loved X-Men 3.

Interview: Placebo


The 90s were simple times. The criterion for rock bands was to be angry and stay that way until you either burnt out or self-imploded. And while many have been lost along the way, Placebo have not only survived rock ‘n’ roll decadence but have also turned their angst into a form of energy for positive change. Due to rock our shores this month, JUICE speaks to outspoken frontman Brian Molko about freedom, religion, sexuality and fighting the good fight. Hey, not all rockstars are shallow, you know.

So you’re in Bangkok now. Had anything interesting for lunch?
Uh…eggs.

How’s the tour going so far?
Come on, man, you know you can do better than that!

Sorry, must be the meds. South East Asia is kind of like the final frontier for Western rock and indie bands. Do you feel that way about Malaysia?
Is it? Well, I don’t know. I guess because there is so much political bullsh!t. I think people really want music here in South East Asia. And I think that a lot of bands don’t want to invest in South East Asia, or Asia in general. When I say invest, I mean touching people’s hearts and not worrying about the money you’re going to make. It’s about worrying about the future that you have with these people and building a relationship. We played in Cambodia, Thailand, Japan and Singapore and it’s very much about communicating freedom with these people. When we played in China, we started a riot and it was very, very strange. The security was the army and the people in the audience were fighting with the army. They were trying to get over the barrier to get onstage with us and we were like, “Oh my god.” You know, we’re a bunch of faggots and we’re wearing make up in China and these people really connect with what we we’re doing. But for us it was very powerful, and it’s very difficult in today’s world where you have people like Simon Cowell who have manufactured pop music. Pop music for me in the old days use to be a cool thing, but now pop music is a really bad thing. People are disrespecting pop music because they make an industry out of it. It’s amazing that you can go to somewhere like China and actually feel part of some anti-authoritarian vibe and that was very much what pushed Placebo forward in the early days. Placebo, of course, is different now. I’m 37 but when I was 23 I was pissed off at the world and I wanted to f*ck society, and it was very important for us to be rebellious. Now we’ve spent 15 years in the music business and it’s a different thing. We understand society and how we can use society for a better future, and this is very much what we’re about. It’s not about rebellion anymore; it’s about working with people who have the power.

Wow, you guys caused a riot in the People’s Republic! How do you feel about Malaysia being a morally uptight country where performers are subjected to strict rules?
Right now, I’m in Bangkok. But for the past 3 weeks I’ve been at Koh Lanto, which is a Muslim island. I spent a long time every day communicating, being with Muslim people, and I don’t see a major problem between us. We all can get along. We really can as long as America is taken out of the situation. The focus behind America is about what we don’t understand, and basically fear and politics is based on what we don’t understand. I would like to encourage people to try and study other cultures because it’s very important. It’s amazing what you can learn from other cultures. I’ve spent the past 20 years travelling the world and I feel so blessed.

We hear you. Travelling expands the mind in many ways.
Absolutely! People who work in the bank or for the government can’t travel like I have. I’m so grateful for that. I’m also grateful for meeting people who tell me what they believe. I can learn something from that. We’re all propelled from the same idea, which is happiness and understanding. It’s when institutions get involved, like the Catholic Church or the Vatican, for example. They make rules about what we’re supposed to believe. Well, let’s let all of that go and just communicate as people.

Would you say that it would’ve been harder for Placebo to play here in KL in the past?
I’ve heard this, but I don’t know. I think that in Malaysia there are people who want to hear our music, people who identify with us and what we are. If there is any message that we want to communicate to people, it’s freedom–freedom of choice, religion and sexuality. It’s very important for us, and so if these people want to get on the Placebo bus then they can. If there’s anything that we can do to contribute to the politics, then hopefully we are an important band. So many bands like Oasis don’t care about politics. But for me, being in a band is a political statement. And I’m obsessed with 60s music–The Grateful Dead, Janice Joplin and The Doors. All these bands, when I was a kid, were really important to me. They were all fighting against the establishment, and I think that music should continuously fight against the establishment. Of course Placebo has achieved so much and, to a certain degree, we have become the establishment. However, we can still fight against it and the restrictive ideas. What we believe in is absolute, complete freedom.

Were there any reasons for not coming to Malaysia in the past and why did it take you so long?
Absolutely not. We are a band but we’re the type of band that, during the problems in Eastern Europe, went to Croatia [and] Kosovo. We played gigs and the people who showed up were nuns. It was really weird, but there were about 500 to 1000 people and there were about 100 nuns. And we lost a lot of money. This is really important: those people went through a revolution and no other band is prepared to come because no other band is prepared to lose money. And we went, “Yeah, well f*ck it! Let’s lose money and go there and play for the people.” It was amazing and when that happens, it’s really incredible because you will not believe the kind of people that show up. Nuns were rocking out! You know you’re in Eastern Europe when nuns are rocking out. And then you look at them and they go, “You know what? I really want to communicate with you.” And it’s a beautiful thing because these women are married to Jesus so… I don’t know. It’s something they understood; they understood what we were doing. And it all taps into this whole idea of freedom. If nuns in Croatia can come and see us play, and they can get excited, then hopefully religious talks are possible between all of us. Just because we believe in something doesn’t mean we have to kill each other. I really believe that. I come from a really religious background and I grew up from that. I have so much respect for any religion that isn’t my own. I think that we are all very similar and so much sh!t can be resolved just by talking to each other. What do you think?

We’re open people. At one point we used to worship Samuel L Jackson. But we got kind of jaded after Snakes On A Plane.
I don’t like Western religion. I like Eastern religion very much.

Interesting. Are there any reasons for that?
I’m very attracted to Buddhism because it’s not about some bearded guy in the sky telling you what to do; it’s about you. And I think if we stopped to actually understand the effects that we have on the world, then we would make the world a better place. Unfortunately, as people we’re all very emotional and our culture is very important in terms of what we choose to believe. I think so many people have ghetto-ised religion and made it into something that is bad, but in fact it’s something that helps us all be better people and that’s what we want.

So what will cause the downfall of humanity?
Oh, that’s very easy: the environment. Have you ever been to the Maldives?

No, we haven’t.
Well, I have and I’m very aware that in 50 years the island [where] I caressed little baby sharks will not be there anymore–because of rising sea levels. We as a species have completely used this planet as a garbage zone. People are so into the latest app that they can get on their tablet that they don’t give a sh!t about the world they live in.

We know; it’s sad. Going back to your influences, do you also consider David Bowie as an important figure to Placebo?
Oh yes, very much. David Bowie was a very important person for us because before we had a record deal, Bowie heard our demos and decided that we were going to tour with him. At that point I was living in a house that was paid for by the government with a couple of other guys. And we were really poor, so poor that we had to scrape our money together and decide on what we were going to eat every day. And then one day the phone rang and it was like, “Hello, would you like to go on tour with David Bowie?” Before David Bowie we were playing to 300 people at small clubs in Camden, London. And all of a sudden it was like, would you like to play in front of 8000 people? He is somebody I have so much respect for.

What do you think of indie bands today, especially British indie bands? Are they a dime a dozen?
You know what? I’ve been asked this for like 10 years, and this is what I’ve always said. There is good music and there is sh!t music. In the 60s, there was good music and there was sh!t music. The only difference is that we only remember the good music. So there is the same amount of bands today who are sh!t and the same amount of bands who are really good. And that’s it. How old are you?

Old enough to vote and to know when to stop drinking…
I’m 37. I’m very old, but I look very young. Have you heard Grinderman?

Yeah, Nick Cave is awesome!
For me the guy is like 50 and he’s more rock ‘n’ roll than any f*cking 20 year old I know. “Honey bee, honey bee suck my d!ck, honey bee, honey bee suck my d!ck.” This is what we’re on about. We’re on about the primal stuff. This is why you’re interested in music. The primal stuff really agrees with you. Check this out…(slapping sound) That’s just me slapping my stomach.

That sounds very primal. Can we ask you something about drugs? As a band that has gone through that whole rock ‘n’ roll lifestyle in the past and survived, what have you learnt from it?
Let me make this very clear. We don’t do drugs anymore. It’s very important for us as a band to be drug-free and we believe that we can be better musicians, better personalities, better people if we’re drug-free. I’ve been to rehab twice. It was very difficult for me and I’ve learnt how to deal with life without drugs. When we made Battle For The Sun, we decided that we would make a record that was hopeful and we wanted to inspire people because we felt finally free from the addiction.

Was it a long period of time?
About 10 years. When me and Stefan made this new record, we gave up everything–alcohol as well. We decided we were going to make a record that was inspiring for people. All we wanted to do was something that made people feel less alone. And that is really important because when I was a kid, I listened to music and felt less alone. I think the only thing that’s important to us as people is to make people like us as well. We want people in Malaysia to know they have a friend, that we can be a friend for them, that we understand what they are feeling. Do the people in Malaysia relate to the people who are in charge?

We can’t generalise, but there are many factions here.
There you go. I want to tell you something very important. My purpose is absolutely not to relate to these people. Because culturally, I have so much of a different thing with England and Ireland. However, if I can make an idea of freedom within these people, then I think it’s really good.

Well, we could use a revolution. Thanks for your time. It’s been an enlightening conversation.
Likewise. See you soon.

Placebo rocks KL on 16 March 2010 at KL Live. For more on the band, check out www.placeboworld.co.uk and www.myspace.com/placebo.

среда, 29 сентября 2010 г.

Placebo en Chile - 08/04/2010 Movistar Arena / For what it's worth Y Ash...

PLACEBO - Welttournee 2010

Die Menge von berühmten Bands, die in den letzten Jahren in Kiew auftreten, können sogar den leidenschaftlichsten Musikliebhaber noch überraschen. So konnte sich vor einiger Zeit niemand vorstellen, dass in unserer Hauptstadt im März dieses Jahres RAMMSTEIN mit einem Konzert vorbeikommen, im Oktober – LIMP BIZKIT und September wird mit dem Auftritt von PLACEBO gekrönt. Das ist wirklich eine Überraschung nach der anderen!
Das letzte Mal waren die Jungs mit ihrem Konzert bei uns im nicht so weit zurück liegenden Jahr 2007, nachdem sie das fünfte super erfolgreiche Album „Meds“ herausgebracht haben. Und jetzt kommen Sie wieder, in die Ukraine, die schöne Stadt Kiew, im Rahmen ihrer Welttour. Nach den Erscheinen des letzten, sechsten Albums „Battle for the Sun“ in Juni 2009 hat Brian Molko zusammen mit dem Bassgitaristen Stefan Olsdal und dem neuen Schlagzeuger Steve Forrest eine Welttourne gestartet, die, mit einer Pause im Januar und im Mai, bis Oktober 2010 läuft.
Gleichzeitig mit dem Besuch von vielen europäischen Sommerfestivals – so wie das Sonisphere, M'era Luna, Pukkelpop, Zurich Open Air, Area 4 und Highfield Festival ( Bericht und Fotos auf HELL-ZONE >>>> ), wird der Herbst für die Jungs mit dem Auftritten in der Slowakei, Ungarn, Bulgarien, Russland und dem Konzert am 18 September in Kiew EXPO Center, belohnt. Wir werden nach Möglichkeit für die HELL-ZONE Leser aus Kiew berichten.

http://www.placeboworld.co.uk
http://www.myspace.com/placebo

http://www.hell-zone.de/cms-hz/content/view/893/39/
 

вторник, 28 сентября 2010 г.

SPB 23/09/10















http://community.livejournal.com/placebo_russia/204049.html#cutid1

BATTLE FOR THE SUN : REDUX EDITION, OUT TODAY!


Today sees the release of the beautiful new album BATTLE FOR THE SUN : REDUX EDITION

Wrapped in a slipcase featuring brand new artwork, the Redux Edition combines all of the following:

Re-mastered 13 track ‘Battle For The Sun’ album, featuring the 2010 single version of ‘Bright Lights’

10 track BONUS DISC that includes new & reworked tracks, including the 2010 studio recording of the track TRIGGER HAPPY HANDS

An exclusive ATTICUS T-Shirt that has been designed by PLACEBO, and comes vacuum packed inside the Redux Edition Slipcase

Hand written liner notes by Brian Molko


The new BATTLE FOR THE SUN : REDUX EDITION is available to buy now worldwide from the Official Placebo Redux Store

All Fans ordering via the PLACEBO order page will get very special reduced postage costs, and the package will be sent international 'signed for' mail!

http://www.placeboworld.co.uk/mynews.php?id=566

SPB 23/09/10





















http://community.livejournal.com/placebo_russia/204049.html#cutid1

SPB 23/09/10













http://community.livejournal.com/placebo_russia/204049.html#cutid1